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	<title>Sayoc Combat Choreography &#187; Reviews</title>
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		<title>Critics&#8217; Views &#8211; The Hunted</title>
		<link>http://sayoccombatchoreography.com/reviews/critics-views-the-hunted/</link>
		<comments>http://sayoccombatchoreography.com/reviews/critics-views-the-hunted/#comments</comments>
		<pubDate>Sat, 30 Aug 2003 13:02:43 +0000</pubDate>
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				<category><![CDATA[Reviews]]></category>

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		<description><![CDATA[Critical Commentary on Sayoc Combat Choreography for the HUNTED:
Harry Knowles, AICN.
“&#8230;It is far more intense than I think you may be expecting,though not so much in a gory fashion, but in a kinetic way brought on by brutal editing and sound mixing. And yes, a knife is shown to be as brutal as a knife could ever [...]]]></description>
			<content:encoded><![CDATA[<p>Critical Commentary on Sayoc Combat Choreography for the HUNTED:</p>
<p><strong>Harry Knowles, AICN.</strong></p>
<p>“&#8230;It is far more intense than I think you may be expecting,though not so much in a gory fashion, but in a kinetic way brought on by brutal editing and sound mixing. And yes, <strong>a knife is shown to be as brutal as a knife could ever be. </strong>“</p>
<p><strong>Roger Ebert, Chicago Sun Times</strong></p>
<p>“They both know the techniques of hand-to-hand combat, but in real life, it isn&#8217;t scripted, and you know what? It isn&#8217;t so easy. We are involved in the immediate, exhausting, draining physical work of fighting&#8230; <strong>physical action of a high order</strong>.“</p>
<p><strong>Walter Chaw, Film Freak Central</strong></p>
<p>The <strong>strength of the picture is in the rude, blunt physicality of its fight sequences </strong>(particularly its final<br />
showdown that should endure as one of the bloodiest onscreen knife fights in history)</p>
<p><strong>Tom Long, Detroit News</strong></p>
<p>&#8220;&#8230; <strong>beyond the usual Hollywood fare</strong>. Ignoring the old-school John Wayne roundhouse punch approach<br />
as well as the new high-kicking martial arts dances, Del Toro and Jones attack each other with a cascade of fast slaps and jabs that look frighteningly real.”</p>
<p><strong>Vic Vogler, Denver Post</strong></p>
<p>“&#8230; <strong>quick, balletic, authentic</strong>. There is nothing celebratory or gratuitous in the men&#8217;s violence. It is, in fact, an homage to the animals each reveres and protects in his own way.”</p>
<p><strong>Bruce Westbrook, Houston Chronicle</strong></p>
<p>&#8220;&#8230;<strong>masterfully choreographed</strong> if excruciating close-quarter bouts”</p>
<p><strong>David Edelstein, MSN</strong></p>
<p>I&#8217;ve seen a lot of fighting in movies in the last few years, but this seemed like <strong>the first real fighting in ages.</strong>”</p>
<p><strong>Chuck Rudolph, Slant Magazine</strong></p>
<p>&#8220;&#8230; achieve an <strong>incendiary artlessness of movement and ferocity</strong> that is infrequently seen in over-the-top, patently stagy movie combat.&#8221;</p>
<p><strong>Sean O&#8217;Connell, Eclipse Magazine</strong></p>
<p>&#8220;In an era of wire battles and CGI combat, it’s <strong>strangely refreshing</strong> to see two dudes bare-knuckle their way through the back-alley bar brawls that &#8220;Hunted&#8221; features.&#8221;</p>
<p><strong>Rene Rodriguez, Miami Herald</strong></p>
<p>&#8220;Choreographed in the distinctive Sayoc Kali style, the up-close-and-personal combat scenes are much <strong>more convincing than anything in Steven Seagal&#8217;s entire oeuvre.&#8221;</strong></p>
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